“You do not need to condense your entire book into one sentence, but you do need to give enough information that the agent/editor/ curious acquaintance you are addressing gets the gist of your book, and is interested enough to want more,” said Michelle Mclean. “The logline is just as important as a creative tool as it is as a vehicle to spark an interest of others,” said Noam Kroll of Indiewire, an award-winning Los Angeles based filmmaker, and founder of the boutique production company Creative Rebellion. Better yet, if it’s already written, then it MUST be read,” said David Macinnis Gill, author and teacher. This handy, dandy quick summary of your story is very useful in persuading agents, editors, and even your dentist that you’ve hit on a ‘wow’ premise that simply MUST be written. “A good use for the logline is the pitch. A logline organizes a story in the briefest form possible while retaining the strongest emotional effect,” said Jen Grisanti, author of Story Line: Finding Gold in Your Life Story. “A logline is a brief description of the plot of your story, which involves an emotional hook and a twist of irony. “The Last Thing She Did” is a romantic comedy in which a ditsy writer struggles to overcome her reliance on a dead friend’s advice in order to meet a deadline.Īccording to Michelle Mclean, Romance and Nonfiction author, the elements of your logline should consist of Characters, Conflict, Distinction, Setting, and Action. Here’s an example of a good logline for a book from the author resource website WildSound.ca. Hollywood Logline, Sell Your Book to Hollywood This is where the logline comes into play.” They need a way to decide which stories are worth a closer look, and which are not-without actually taking the time to read those stories. Think about it, do you have a one-sentence summation of your book to tell others? Do you have the main elements of the story composed together? If not, you need a logline.Ī logline is a one or two sentence description that boils down the essential dramatic narrative in as succinct a manner as possible, says James Burbidge on Īccording to John Robert Marlow, author of Make Your Story a Movie: Adapting Your Book or Idea for Hollywood, “If you want to turn your book into a movie then understand that the people who represent and purchase books and screenplays are incredibly busy. Since everybody is so busy these days, you’ll have to boil down your book to a quick pitch that answers the question: What is your book about? Your logline should SELL the story, not tell the story. If you want to sell your book to Hollywood, it’ll help to think like Hollywood producers and directors.
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